Sunday, 2 March 2014

Portugal - Prehistoric Rock Art Sites in the Côa Valley and Siega Verde



The two Prehistoric Rock Art Sites in the Côa Valley (Portugal) and Siega Verde (Spain) are located on the banks of the rivers Agueda and Côa, tributaries of the river Douro, documenting continuous human occupation from the end of the Paleolithic Age. Hundreds of panels with thousands of animal figures (5,000 in Foz Côa and around 440 in Siega Verde) were carved over several millennia, representing the most remarkable open-air ensemble of Paleolithic art on the Iberian Peninsula.
Côa Valley and Siega Verde provide the best illustration of the iconographic themes and organization of Paleolithic rock art, using the same modes of expression in caves and in the open air, thus contributing to a greater understanding of this artistic phenomenon. Together they form a unique site of the prehistoric era, rich in material evidence of Upper Paleolithic occupation.

Germany - Garden Kingdom of Dessau-Wörlitz



The Garden Kingdom of Dessau-Wörlitz is an exceptional example of landscape design and planning of the Age of the Enlightenment, the 18th century. Its diverse components - outstanding buildings, landscaped parks and gardens in the English style, and subtly modified expanses of agricultural land - serve aesthetic, educational, and economic purposes in an exemplary manner.

Tuesday, 11 February 2014

Japan - Fujisan, sacred place and source of artistic inspiration



The beauty of the solitary, often snow-capped, stratovolcano, known around the world as Mount Fuji, rising above villages and tree-fringed sea and lakes has long been the object of pilgrimages and inspired artists and poets. The inscribed property consists of 25 sites which reflect the essence of Fujisan’s sacred and artistic landscape. In the 12th century, Fujisan became the centre of training for ascetic Buddhism, which included Shinto elements. On the upper 1,500-metre tier of the 3,776m mountain, pilgrim routes and crater shrines have been inscribed alongside sites around the base of the mountain including Sengen-jinja shrines, Oshi lodging houses, and natural volcanic features such as lava tree moulds, lakes, springs and waterfalls, which are revered as sacred. Its representation in Japanese art goes back to the 11th century, but 19th century woodblock prints of views, including those from sand beaches with pine tree groves have made Fujisan an internationally recognized icon of Japan and have had a deep impact on the development of Western art.

Ireland - Sceilg Mhichíl



This monastic complex, perched since about the 7th century on the steep sides of the rocky island of Skellig Michael, some 12 km off the coast of south-west Ireland, illustrates the very spartan existence of the first Irish Christians. Since the extreme remoteness of Skellig Michael has until recently discouraged visitors, the site is exceptionally well preserved.

Uvs Nuur Basin


Russian Federation, Mongolia 
The Uvs Nuur Basin (1,068,853 ha), is the northernmost of the enclosed basins of Central Asia. It takes its name from Uvs Nuur Lake, a large, shallow and very saline lake, important for migrating birds, waterfowl and seabirds. The site is made up of twelve protected areas representing the major biomes of eastern Eurasia. The steppe ecosystem supports a rich diversity of birds and the desert is home to a number of rare gerbil, jerboas and the marbled polecat. The mountains are an important refuge for the globally endangered snow leopard, mountain sheep (argali) and the Asiatic ibex.



Greenland




Italy - Early Christian Monuments of Ravenna



Ravenna was the seat of the Roman Empire in the 5th century and then of Byzantine Italy until the 8th century. It has a unique collection of early Christian mosaics and monuments. All eight buildings – the Mausoleum of Galla Placidia, the Neonian Baptistery, the Basilica of Sant'Apollinare Nuovo, the Arian Baptistery, the Archiepiscopal Chapel, the Mausoleum of Theodoric, the Church of San Vitale and the Basilica of Sant'Apollinare in Classe – were constructed in the 5th and 6th centuries. They show great artistic skill, including a wonderful blend of Graeco-Roman tradition, Christian iconography and oriental and Western styles.