Wednesday 31 December 2014

Japan - Hiraizumi – Temples, Gardens and Archaeological Sites Representing the Buddhist Pure Land



Hiraizumi - Temples, Gardens and Archaeological Sites Representing the Buddhist Pure Land comprises five sites, including the sacred Mount Kinkeisan. It features vestiges of government offices dating from the 11th and 12th centuries when Hiraizumi was the administrative centre of the northern realm of Japan and rivalled Kyoto. The realm was based on the cosmology of Pure Land Buddhism, which spread to Japan in the 8th century. It represented the pure land of Buddha that people aspire to after death, as well as peace of mind in this life. In combination with indigenous Japanese nature worship and Shintoism, Pure Land Buddhism developed a concept of planning and garden design that was unique to Japan.

Japan - Buddhist Monuments in the Horyu-ji Area




There are around 48 Buddhist monuments in the Horyu-ji area, in Nara Prefecture. Several date from the late 7th or early 8th century, making them some of the oldest surviving wooden buildings in the world. These masterpieces of wooden architecture are important not only for the history of art, since they illustrate the adaptation of Chinese Buddhist architecture and layout to Japanese culture, but also for the history of religion, since their construction coincided with the introduction of Buddhism to Japan from China by way of the Korean peninsula.

United Kingdom - Maritime Greenwich


The ensemble of buildings at Greenwich, an outlying district of London, and the park in which they are set, symbolize English artistic and scientific endeavour in the 17th and 18th centuries. The Queen's House (by Inigo Jones) was the first Palladian building in England, while the complex that was until recently the Royal Naval College was designed by Christopher Wren. The park, laid out on the basis of an original design by André Le Nôtre, contains the Old Royal Observatory, the work of Wren and the scientist Robert Hooke.



Sweden - Skogskyrkogården



This Stockholm cemetery was created between 1917 and 1920 by two young architects, Asplund and Lewerentz, on the site of former gravel pits overgrown with pine trees. The design blends vegetation and architectural elements, taking advantage of irregularities in the site to create a landscape that is finely adapted to its function. It has had a profound influence in many countries of the world.